2025
Pandora’s Aquarium
Lettering and graphics for Pandora’s Aquarium, a hypertext science fiction set in the Caribbean deep sea by Olivia M. Ross, adapted from Monique Wittig's Les Guérillères (1969). Commissioned by the Internet Archive and Gray Area for their trillionth webpage exhibition.
2022–NOW
Anti-Eviction Mapping Project
Designing maps, websites, and publications with the Anti-Eviction Mapping Project, a critical cartography, oral history, and data visualization collective documenting the contours of gentrification and housing precarity in the US. Close collaborators include tenant and migrant rights groups across the nine-county Bay Area, like the Oakland Tenants Union, San Francisco Tenants Union, San Francisco Anti-Displacement Coalition, Causa Justa, Centro Legal de la Raza, Raise the Roof Coalition, and more.
2020–NOW
Ocean to Forest, Death to Life
A durational, multi-media study of salmon ecologies across the Duwamish watershed, where I grew up. Every year, millions of Pacific salmon migrate back through their ancestral waterways to spawn and die where they were born. Retracing the earth’s magnetic and chemical pathways over hundreds of miles, salmon return home to birth new life and pass onto the next. Oceanic phosphorus and nitrogen in their bodies then fertilize the riverbeds, feeding generations of forests and fauna across the Pacific Northwest. In this sacred ritual, death becomes life.
2025
Strange Time
Visual identity for Strange Time, a group exhibition showcasing novel meditations on time and timekeeping. On view at SOIL Gallery in Seattle, April 3–25. Curated by Shelby Wilson, Alex Miller, and Max Cerami.
2025
Tidal Altar
A stoneware vessel embodying life at the soft seams of the earth, where celestial rhythms press the ocean into sand, air salts the wild cabbage, and water keeps the time. Made in Mendocino, CA.
2024
Intifada Incantation
Poster and illustration for a community reading of poems by Palestinian writers or poets in support of Palestinian liberation, including Fady Joudah, Mosab Abu Toha, Noor Hindi, Etel Adnan, Fargo Nissim Tbakhi, Leena Aboutaleb, Aracelis Girmay, Liane al Ghusain, and many more. Organized by Oakland-based artist, writer, and educator Leena Joshi. Broadcasted on Lower Grand Radio.
2022–24
Permanent
Led design for Permanent, a small company working to transition our regional food systems to short-chain, regenerative agriculture. Designed 0 → 1 platforms to help communities, businesses, and institutions source directly from 50+ local, organic, and regenerative farms, mostly owned by women and farmers of color. Pilot customers have ranged from celebrated farm-to-table restaurants, to major food retailers like Sweetgreen, to the University of California System (UC) and K–12 public school districts across California.
2022
Joy Woods
Visual identity for Joy Woods, a multi-family farm and community stewarding 15 acres of regenerative agriculture in the Sonoma Creek Watershed.
2020
Time Portraitures
A pair of slow clocks: one that stops when looked at, another submerged in gooey oil. Each loses momentum the more it labors. Dormant at first, a pulse can only be discerned if you give it time and listen closely.
Exhibited at the School for Poetic Computation. Featured in Creative Applications.
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Exhibited at the School for Poetic Computation. Featured in Creative Applications.
Right: the same clock, unveiled. Triggered by a photoresistor, the hands stop ticking, and the clock is idle. The current time is unknown.
2020
Revolution & Us
2016
Visualizing Climate Inequality
Created in collaboration with scientists at UW Atmospheric Sciences. Data from the World Bank, the UN Development Programme, the ND-GAIN Index, UC Berkeley, and NASA. Recognized by the 2016 Adobe Design Achievement Awards. Featured in publications like Courrier International and Interfaces Numériques.