Allison Chan is a designer and artist from the Pacific Northwest, based in New York City. All, Objects, Graphics, Screens, Photo

Bloom Vase  
2025


A celadon vessel to welcome the growing season. Made in Seattle, WA.


Pandora's Aquarium
2025


Lettering and graphics for Pandora’s Aquarium, a hypertext science fiction set in the Caribbean deep sea by Olivia M. Ross, adapted from Monique Wittig's Les Guérillères (1969). Commissioned by the Internet Archive and Gray Area for their trillionth webpage exhibition.



Anti-Eviction Mapping Project
2022–now


Designing maps, websites, and publications with the Anti-Eviction Mapping Project, a critical cartography, oral history, and data visualization collective documenting the contours of gentrification and housing precarity in the US. Close collaborators include tenant and migrant rights groups across the nine-county Bay Area, like the Oakland Tenants Union, San Francisco Tenants Union, San Francisco Anti-Displacement Coalition, Causa Justa, Centro Legal de la Raza, Raise the Roof Coalition, and more.

Ocean to Forest, Death to Life
2020–now

 
A photo diary of salmon ecologies across the Duwamish watershed, where I grew up. Every year, millions of Pacific salmon migrate back through their ancestral waterways to spawn and die where they were born. Retracing the earth’s magnetic and chemical pathways over hundreds of miles, salmon return home to birth new life and pass onto the next. Oceanic phosphorus and nitrogen in their bodies then fertilize the riverbeds, feeding generations of forests and fauna across the Pacific Northwest. In this sacred ritual, death becomes life.  








Strange Time
2025


Visual identity for Strange Time, a group exhibition showcasing novel meditations on time and timekeeping. On view at SOIL Gallery in Seattle. Curated by Shelby Wilson, Alex Miller, and Max Cerami.




Tidal Altar
2025   
 

A stoneware vessel embodying life at the soft seams of the earth, where celestial rhythms press the ocean into sand, air salts the wild cabbage, and water keeps the time. Exhibited at SOIL Gallery in Seattle and the Mendocino Art Center.




Intifada Incantation
2024


Poster and illustration for a community reading of poems by Palestinian writers or poets in support of Palestinian liberation, including Fady Joudah, Mosab Abu Toha, Noor Hindi, Etel Adnan, Fargo Nissim Tbakhi, Leena Aboutaleb, Aracelis Girmay, Liane al Ghusain, and many more. Organized by Oakland-based artist, writer, and educator Leena Joshi. Broadcasted on Lower Grand Radio.    
      


Ayo Akingbade
2024

    
Portfolio website for London-based artist and filmmaker Ayo Akingbade.


Permanent Agriculture
2022–24


Led design for Permanent, a small company working to transition our regional food systems to short-chain, regenerative agriculture. Designed 0 → 1 platforms to help communities, businesses, and institutions source directly from 50+ local, organic, and regenerative farms, mostly owned by women and farmers of color. Pilot customers have ranged from celebrated farm-to-table restaurants, to major food retailers like Sweetgreen, to the University of California System (UC) and K–12 public school districts across California.

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Joy Woods
2022


Visual identity for Joy Woods, a multi-family farm and community stewarding 15 acres of regenerative agriculture in the Sonoma Creek Watershed.

Time Portraitures
2020–21


A pair of slow clocks: one that stops when you look at it, another submerged in mineral oil. Each loses momentum the more it labors. Dormant at first, a pulse can only be discerned if you give it time and listen closely.

Exhibited at the School for Poetic Computation in New York City. Featured in Creative Applications.

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Left: A large, unmarked clock veiled in black velvet. Its face and hands are hidden from view, but a soft ticking can be heard if you listen closely.

Right: the same clock, unveiled. Triggered by a photoresistor, the hands stop ticking, and the clock is idle. The current time is unknown.






A smaller, unmarked clock partially filled with mineral oil. With each revolution, the viscosity of the oil slows the hands down. The current time is unknown.

Revolution & Us
2020


A pocket poster and pamphlet to help keep each other safe in the fight to keep us all safe. Co-organized and designed with Zainab Aliyu and By Us For Us, with contributions from a community of organizers, artists, and educators. Distributed by small press for free across New York and the Bay Area.

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Visualizing Climate Inequality
2016


A data visualization project mapping key correlations between carbon emissions, climate vulnerability, and capital by country. Created in collaboration with scientists at UW Atmospheric Sciences. Data from the World Bank, the UN Development Programme, the ND-GAIN Index, UC Berkeley, and NASA. Recognized by the 2016 Adobe Design Achievement Awards. Featured in publications like Courrier International and Interfaces Numériques.